![]() Because she has experience with a predator, she doesn’t try to resist, flee, or submit to her captor. Casey’s weirdness and introversion is traced to this abuse. Flashbacks interspersed throughout the action reveal that she was sexually abused by her uncle (Brad William Henke)-and that, after her parents’ death, this uncle became her guardian. The girls react differently to their captivity-Claire and Marcia are frankly oppositional, intending to escape or, where possible, to fight, and neither succeeds. The setup involves Claire’s birthday party, supervised by her cheerful parents-her father (Neal Huff) is a stereotypically goofy white suburban movie dad, complete with dad jokes-and it’s established that her parents insisted that she invite Casey in the name of decency, a charity invitation. Two of them, Claire (Haley Lu Richardson) and Marcia (Jessica Sula) are popular, regular girls the third, Casey (Anya Taylor-Joy), is unpopular, introverted, cantankerous, awkward, weird. The movie’s brief early scenes, leading up to the kidnapping, tag the three teens with facile identities. He holds the girls in an isolated underground industrial warren and his various personae approach them in different ways, with different intentions. ![]() Here’s the story: three teen-age girls are kidnapped by a man named Kevin (played by James McAvoy), who suffers from dissociative-identity disorder and has twenty-four different personalities (twenty-three that are on the surface, and a twenty-fourth, the monster of monsters, that emerges near the end). What’s much more important is a surprise that’s integral to the story and equally integral to its societal resonance, which does need a spoiler-alert sign in neon. I’m tempted to say “spoiler alert,” but it’s already all over the Internet: Bruce Willis turns up, playing his character David Dunn from Shyamalan’s 2000 film “Unbreakable,” to do nothing of any note except set up a sequel in which David will combat the antagonist of “Split.” I can’t wait. It also is endowed with what’s being referred to as a surprise ending. “Split” isn’t especially well made, but it’s very well positioned. The movie commercializes, packages, exemplifies-and safely isolates-authentic phenomena and taps into authentic fears. Yet it’s a hit, and there are good reasons for its box-office success. The rest of the film is the work of a puppet master who works with an admirable but unoriginal industrial efficiency, retrofitting characters and their lives to fit the mechanical dictates of a simplistic scare story. It has a scene early on, centered on a car, that suggests at least an effort at playful inventiveness. Whether a potential Mission: Impossible 9 will see Cruise return to play Ethan Hunt is unknown, with the award-winning actor turning 62 years old by the time Part Two premieres.It’s easy to mistake a movie’s popularity for an artistic phenomenon rather than a sociological one. Dead Reckoning Doesn't End the Mission: Impossible FranchiseĬontrary to speculation, the Dead Reckoning duology doesn't mark the end of the Mission: Impossible franchise, with McQuarrie recently hinting at a ninth film coming down the line during the Rome premiere of Part One. And then there were times when we were on set, and Tom would look at me, and he'd say, 'This was your idea. "And, you know, I think we were excited about it too. ![]() ![]() "At that time, the studio were actually very genuinely excited about it," McQuarrie said. McQuarrie admitted there have been difficult days throughout the production process, with Cruise questioning why McQuarrie decided to split Dead Reckoning in the first place. Meanwhile, Part Two began principal photography in March of last year. Part One was shot at the height of the global COVID-19 pandemic and only wrapped this past April. RELATED: First Mission: Impossible - Dead Reckoning Reactions Dub It One of the Franchise's BestĪs a result, Mission: Impossible lead man Tom Cruise announced in 2019 that Dead Reckoning would be split into two movies, shot back-to-back. ![]()
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